Cleon Peterson

In Cleon Peterson’s anxiety-riddled world, violence is the status quo. His dystopian scenes evoke Thomas Hobbes’ description of life as war between individuals: “solitary, poor, nasty, brutish, and short.” Many of Peterson’s paintings feature images of hostility removed from any scenery that might bring reason to bear a sense of justness to the brutality; the only context given is the mélange of evisceration coating the floor. In other works, the setting is a cityscape where storefronts only serve to indulge the base narcissism and vice taking place on the streets.

Peterson describes his bedlam as “a gray world where law breakers and law enforcers are one in the same; a world where ethics have been abandoned in favor of personal entitlement.”


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